There are several quite separate but indistinct traditions of presentation which all explain themselves using the term “physical theatre”, which has contributed to a lot of confusion as to what the definition of actually is.
The means of expression appear to be primarily physical instead of textual, often with stress on musical elements. Several things that a variety of Physical Theatre traditions share is a joint devising approach to dramatic development and creation: various groups like the DV.
Some analysts suppose that physical theatre was influenced by Bertolt Brecht. However, Dympha Callery believed that despite the challenging use of the definition of physical theatre, some general characteristics may occur – though she emphasized that these examples should not be seen as either thorough or that all are essential all the time.
Problems Involved When Defining Physical Theatre
Physical definition is very hard to trace. This is partially to do with several origins, and partly to do with the fact that only a few practitioners themselves comfy with the definition.
Many practitioners show a resistance to this term since they feel that physical theatre is used as a “misc.” class for anything that does not fall precisely into a category of fictional dramatic theatre or contemporary dance.
On this basis, contemporary theatre including post-modern performance, post-dramatic performance, devised performance and visual performance while having their separate definitions, is often merely labeled “physical theatre” without cause other than since it is unusual in some way.
One more problematic area is dance that is of a theatrical nature. Time and again, a dance piece will call itself “physical theatre” since it included elements of character or narrative, spoken word and therefore be physical and theatrical, but this might not essentially have anything in common with a prospective physical theatre tradition.
Origin of Modern Physical Theatre
Modern physical theatre has grown from a range of origins. Theatrical clowning schools and Mime in Paris have had a big influence on many modern expressions of the phrase, and early practitioners received their initial training at such institutions.
Contemporary Dance also had a strong influence on what scientists regard as the phrase partly since the majority theatres requires actors to have a level of physical flexibility and control rarely found in those who do not have some sort of movement background.
The theatre also has tough roots in more ancient traditions including Commedia dell’arte and some proposed links to the ancient Greek theatre, mainly the theatre of Aristophanes.
Tradition about the Origin of Physical Theatre
One of the tradition started with Etienne Decrux who was a very famous French master at his time His aim was to create a theatre based on the physicality of the actor giving room for the creation of a more metaphorical theatre. This tradition has now grown and is being taught in many major theatrical schools.
Teachers of the lineage of the French master write and say a lot on their opinion towards the physical theatre of which I will enumerate in my next scripts.